Solo - Central Java
This centre of Javanese culture
has old colonial charm, the best of Southeast Asian warmth and the wide
streets and well-planned squares of a small European town. Crumbly
old-Dutch buildings and the two keratons of Kasunan and Mangkunegaran
dominate the old town, surrounded by quaint streets lined with small
houses with proudly manicured gardens.
Why, such a lovely name
for such a close-knit and affable town. Solo, previously known as
'Surakarta' was indeed, living by its namesake, until recently. A
result, 99.9% of the population of Solo, a naturally halus
or well-mannered people, are not only extremely friendly to visitors
but also free of the 'hello mister' attitude that comes with big tourist
traps. People in Solo love a visitor.
This is a town made for the open-air. Sit in a becak or hop on the back of an ojek or motorbike taxi, stop for nasi liwet
at a small side-street or sing your heart out at one of the obscure
karaoke shacks and bars, open until dawn. Though many places are open
all night, Solo affectionately goes by the old moniker 'So-slow,'
precisely what gives it such lovable appeal.
Triwindu Antiques Market
Nestled in a labyrinthian market selling ball-bearings and car parts, the gems at Triwindu antiques market, appear even more dramatic and blissfully cheap compared to anywhere in Bali or Jakarta. On the fringes, next to a small stall selling greasy knobs and bolts, sunlight streams through Morrocan ceiling lamps saturated with color. There are venetian mirrors and transistor radios. A stall sells reproduction antique, hefty stone Buddha heads and brushed brass ganeshas of all sizes, next to a small case containing three, silk 1930s clutch-purses with delicate crystal embellishment (except that now there are two).
There are hip 1960s cocktail sets, straight from the pages of interior design magazines and about a tenth of the price of the same set in NYC or London. There are silver peacock-shaped door handles in painted wrought iron, gold vintage brooches and limestone elephants.
Because most of the goods from Triwindu are superior-quality, reproduction antiques and the rest genuine bric-a-brac from the last 60 years, prices are low. Sellers from all over come to Triwindu to sell their handiwork. It is worth a weekend trip to Solo just to furnish ones house with goods from Triwindu, or get a year's worth of gift-buying over in one morning. The sellers never harass and are open to bargaining.
Pasar Klewer
According to the tourism board, Pasar Klewer is the biggest batik and textile market in Indonesia. This may not be wholly true but it could possible be the friendliest. Ask to see a sarong and a podgy old lady will roll out the whole bunch and happily put them back when one walks away. Prices here are low. Expect to pay Rp 30.000 for a printed soft-cotton sarong or Rp 50.000 for a silk ready-made top.
Keraton Kasunanan
Javanese culture, dance, and music permeate the lives of the timeless occupants of the palace, from the guards to the royal orchestra. there are few things to see here, save for a few random artefacts and a large canoe. The palace is far more haphazard than the smaller mangkunegaran. It's unconventional charm, however, calls for a romantic stroll with the sand in one's toes. Gamelan practice is from 9am - 2pm daily.
Istana Mangkunegaran
Mangkunegaran is perhaps the more cosmopolitan of the two Karatons of Surakarta. Mangkunegaran shares close ties with political powers of the past few decades.
Around the time of the Chinese rebellion against the Dutch, Raden Mas Said, the first Mangkunegaran Sultan, born in 1725, persuaded the powers that be to stop the war by signing the Salatiga treaty, during which time he became a sultan. He was like his successors to date, entitled to have his own city square, establish a women's centre, sit upon the throne and raise a pair of sacred banyan trees.
Though modelled on a typical keraton with fortress walls and a ceiling with a fire motif (each color represents a positive attribute and brings peace to the palace) Mangkunegaran went through major architectural changes during the colonial period and exhibits European decorative features typical of the periode.
source : http://indonesiacultural.blogspot.com/
Comment :
Culture in Indonesia
is very diverse, especially the culture of the island of Java. I am very
interested in Javanese culture. where there is a unique culture and reflect the
culture of Indonesia. tourists, both domestic and abroad came to visit. should
be, we are proud of it and preserve culture. not to, which strongly reflect Indonesian
culture was taken, and recognized by other countries. for example: batik, angklung,
and others. as well as the Borobudur temple which is classified into one of the
wonders of the world. this needs to be grateful. if only the government watching
the craftsmen who make the welfare of a typical Indonesian Crafts, craftsmen would
be eager to make the craft. to serve as a souvenir of the tourists, and the many
tourists who visit the course, the more profitable for foreign exchange. as
well as with cultural places should be preserved and maintained its
authenticity. hygiene, safety, beauty is necessary to support the convenience of
its visitors. therefore, always keep the culture of Indonesia and careful proud
to be one part of the country. I love Indonesia :)
www.gunadarma.ac.id
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